collaborations

King

photos by Fabio Artese

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King is an emotional investigation of Gille Clement’s concept of third-space. Lead by choreographer Leonardo Delogu, the project is the result of a 2 years research on movement, body, listening and landscape and it is presented in the format of a live performance. My contribution to the project includes the realization of a series of audio recordings as well as the live mixing and the sound diffusion of the recorded material.

King is produced by DOM, it is co-produced by Armunia/Festival Inequilibrio, Santarcangelo • 13 Festival Internazionale del Teatro in Piazza, Sosta Palmizi, with the support of Centre de Creació L’animal a l’esquena, Celrà, Girona, Teatro Valdoca, Spazio C-32, Centro di Palmetta, selected by Created in Umbria, with the support of MiBAC – Dipartimento dello Spettacolo e Regione Toscana – Settore Spettacolo.

Read more about the project on DOM website.

Meteor: Anemici Sangue Dalle Rape

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The collaboration with Meteor stems out from a long personal friendship with the 2 members of the band. Born in the same area, listening to the same music, we grew up together in our teenage years. When in 2010 Andrea and Beppe invited me to create the electronics for their first release Anemici: il Sangue dalle Rape, I felt like that was the possibility to seal our friendship. What you get from our collaboration is PURE PANDEMONIUM!!! Listen to the track above. And if you don’t have enough… LISTEN TO THE FULL ALBUM HERE.

Cuocere il Mondo

photos © Jean Noel Barak (1.2.3.4.5) Andrea Macchia (6.7.8.9)

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I co-created the sound-space scene for Cuocere il mondo working side-by-side with composer Lorenzo Brusci and choreographer Raffaella Giordano. Emphasizing the physical aspects of sound in relation to space perception and movement, I co-designed a sound environment that dramatized performers’ gestures and presence on stage.

During an intensive six month creation process, sound revealed itself as a key tool for leading company members through deep emotional states and body awareness. Sound also expanded dancers’ responsiveness and listening sensitiveness, resulting in the development of new ways of sensing and being on stage.

Cuocere il mondo was exhibited at, amongst others, Théâtre Garonne, Toulouse – France; Théâtre des Bernardines, Marseille – France; Teatro Comunale di Modena Fondazione, Modena – Italy; Teatro Metastasio, Contemporanea, Prato – Italy; Festival delle Colline Torinesi, Torino – Italy.

Read more about the project on Sosta Palmizi website.