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I co-created the sound-space scene for Cuocere il mondo working side-by-side with composer Lorenzo Brusci and choreographer Raffaella Giordano.

Emphasizing dancers’ need to be connected to the performance space, I co-designed a sound environment that dramatized performers’ perception of the whole theatre space.

During an intensive six month creative process, sound revealed itself as a key tool for leading company members through deep emotional states. Sound also expanded dancers’ sensitivities and listening habits, resulting in the development of new ways of using the ear and the entire body.

Cuocere il mondo was exhibited at, amongst others, Théâtre Garonne, Toulouse – France; Théâtre des Bernardines, Marseille – France; Teatro Comunale di Modena Fondazione, Modena – Italy; Teatro Metastasio, Contemporanea, Prato – Italy; Festival delle Colline Torinesi, Torino – Italy.

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