keyword - listening

THE SOUND OF WHITE NOISE

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The Sound of White Noise is an audio piece consisting of a series of listening instructions that are broadcasted on the radio and performed by the radio listeners at home. The instructions are about specific body positions and movements that the listeners have to perform in relation to the sound system they are using and the space where they are. A recorded voice gives the instructions and guides the listeners through the entire duration of the piece. Each instruction invites the listeners to interact with the white noise that is diffused through the radio. The movements and gestures that the listeners perform modify the stream of white noise that is diffused in the room and the way it is perceived.



The piece has been broadcasted on the 29th of April 2015 on Deutschland Radio Kultur. A french version of the piece has been realized in 2017 (produced by ACSR, Brussels) and received a mention at the Phonurgia Nova Prix Art Sonore, Paris 2017.

LISTENING/INTERVENTION

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The project consist of a series of instructions-based listening pieces that I have developed since 2009 as part of my research on sound and body. The final version of the first 10 pieces has been completed in 2016 with a residency at Overtoon and an exhibition at iMAL. In 2018 and 2019 I’ve continued the project, especially during a residency at Avatar, Quebec City and at Nadine, Brussels. A book publication containing the first 10 pieces + 20 new ones is currently under development and will be published in 2020.

DOWNLOAD THE PDF BOOKLET WITH THE PIECES

Concept & realisation: Davide Tidoni / Production: Davide Tidoni / Graphics: Davide Tidoni & Marzia Dalfini / Editor: Brian Shabaglian.

UP IN THE VALLEY

What
Up In The Valley is a sound/listening workshop taking place on the mountains of ValSabbia (Brescia) each year around end july/beginning of august. Registrations open in may/june.

Presenting a series of listening pieces and exercises specifically designed for the location, the workshop explores the propagation of sound in space and the interaction between sound, space and listener.

During the 5 days of the workshop, acoustic principles and sound effects such as reflection, absorption, filtering, and distance are staged and performed live.

Focussing on the position of the listener, the threshold of audibilty, and the distance from the sound source, the workshop investigates the potential of the listener to perceive and produce sound.

All the listening pieces are site specific and take advantage of the affordances/constraints of the location. Mountain serves as unique setting providing specific qualities such as high silence/noise ratio, long-distance acoustic horizon and multiple reflecting surfaces.

The pieces/exercises are presented as part of a series of walking excursions. The average time of each excursion is 6/8 hours including breaks.

Documentation Images
https://www.flickr.com/photos/davidetidoni/sets/72157651874593186

Logistics
Read here.

Listening / Intervention

listening workshop

What
The workshop is open to anyone concerned with the possibility of interaction between sound, space and listening.

Through a series of pieces and exercises that stage specific acoustic phenomena, the workshop encourages the active role of the listener and his/her own potentials to perceive and engage with sound.

The main aim of the workshop is to offer a wide range of listening experiences in order to lead participants to recognize sound as a concrete presence that puts the listener in relation with space, materials and other people’s bodies.

The workshop resembles to an extended performance where participants becomes actively involved in the creation/experience of the proposed activities. Far from being confined to the sonic domain, Listening / Intervention introduces concepts and principles that can easily be appropriated and applied to other research fields. To this respect, the workshop functions as a stimulus for interdisciplinary practice and as a context for experimentation.

List of possible activities
Your footsteps in the room; closed-eyes walk to the wall; touch the others with a microphone; someone is listening from inside a cardboard box; “anolog” filters and white noise; ears at the wall; hit the microphone with a slingshot; try to avoid any feedback to occur while walking to the amp; find the spot where two different sounds are perceived at the same loudness; walk away from the sound source up to the point where you cannot hear it anymore; participants’ bodies functioning as absorption panels,…

Documentation
https://www.youtube.com/watch?v=52_f4094wD4
https://www.flickr.com/photos/davidetidoni/albums/72157650976176766