keyword - sound culture

NO-TAV PROTEST SONGS – radio broadcast

Here follows the upload of the radio broadcast I did together with Franziska Windisch about (some of) the NO-TAV protest songs. The conversation has been realised for radio in between spaces and is part of a current research concerning the history of the NO-TAV movement read through its songs. More about the NO-TAV movement in eng and ita.

Canta Che Non Passa / Our Singing Will Stop It



DOWNLOAD THE LYRICS OF THE CHANTS.

This work documents part of the repertoire of the informal choir “Canta Che Non Passa”. The choir is a spontaneous group of middle age/old people who are active in the NO TAV* movement in Valsusa, northern Italy. The choir’s repertoire consists mainly of protest songs adapted from preexisting musical sources, with new lyrics that have been created from scratch.

I recorded the choir during one of their rehearsals. Rather than positioning the microphone at a certain distance from the group and capture the multiplicity of voices, I chose to keep the microphone in my hands and point it to the individual voices of those members standing around me. This strategy was designed to stress the fallible and imperfect nature of the chorale and place emphasis on: 1) the singular/plural dimension of collective singing; 2) the beauty, strength, and vulnerability of non-professional voices.

The recordings have also been presented on a radio broadcast. The broadcast is part of an ongoing research about the history of the NO-TAV movement read through its songs.

* As clearly stated by the name of the choir (“Canta Che Non Passa” means “Sing, So It Won’t Pass” or better “Our Singing Will Stop It”, “Our Singing Will Stop the TAV”) the NO TAV movement opposes the creation of the new high speed railway line between Turin and Lyon. More info: brief history of the no tav movement and notav.info.

Thanks to Mariano, Renato, Fulvio, Gianni, e tutt*.

THE SOUND OF NORMALISATION



The project THE SOUND OF NORMALISATION is a collection of audio recordings that documents the sound culture of the Ultras group BRESCIA 1911 in relation to modern football and the wave of repressive measures targeted at organized supporters groups. The recordings were taken over a period of 15 years and cover: 1) creation, uses and meanings of the chants 2) group principles and collective identity 3) audience participation and the process of social exclusion from the stadium 4) police repression and the political implications of the chants 5) the evolution of the drumming in relation to the drums ban-order of 2007. Each recording comes with a short introductory text and is presented as a video with subtitles. The work has been published in 2018 by SARU, Oxford Brookes University.

Since early 2000 I’ve been researching football supporter subculture, audience participation and crowd regulation. The overall research concerns the nexus of public space, social performance and surveillance in contemporary Italian football. — The aim of the research is to trace mechanisms of social interaction and aesthetic creation in football supporters’ subculture via an examination of the sound practices shared by the group Brescia 1911. Relations between sound production and space construction are investigated especially in the light of dynamics of social control adopted in football grounds in the last years. — The research contributes to a better understanding of sound’s function in group formation and collective identity as well as how sound performance and social repertoire evolve in relation to public security measures and space control.

In 2015, a first concrete materialization of the project has been exhibited at ARGOS, centre for art and media, Brussels. In 2018, the final version of the project has been presented at GET SOME CHALK ON YOUR BOOTS! an exhibition and conference organized by SARU at Oxford Brookes University.

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