keyword - white noise

The Sound Of White Noise

The sound of white noise

The workshop is open to anybody who is concerned with the possibilities of interaction between sound, space, and listening.

The main aim of the workshop is to offer, through direct practice, a wide range of listening experiences in order to lead participants to recognize sound as a concrete presence that puts the listener in relation with bodies, materials and space.

Practicing different exercises, based on sound diffusion, and simple movements/gestures, the participants are invited to pay attention to sound effects such as reflection, absorption, filter, threshold… as well as to explore the physical interaction between sound, architecture and the body.

White noise is the main material that is used in the workshop. The constant dynamic and frequency spectrum of white noise facilitate an immediate understanding of specific sound effects and provide a stable reference for the articulation of the listener’s position in space.

DOCUMENTATION

VIDEO from the Turin workshop 2012
IMAGES from past workshops 2012

Intersections



A loudspeaker is installed on the side of a straight road. It diffuses a constant stream of white noise.
The loudspeaker is positioned in such a way that the projection of white noise is perpendicular to the direction of the cars.
The audience stands opposite to the loudspeaker on the other side of the road.

When a car drives on the road, it intersects the projection of white noise. In this way the audience can perceive a cut in the white noise continuum. The sequence of cuts is organized in relation to the number, speed and size of cars that pass on the road.

The intersection between white noise and cars generates sound effects of masking, cut-out and cross-fade

Rough docu video here: https://vimeo.com/138603693 (password “ciao”).

Solid-Void

solidvoid

The performance explores the architecture of specific sites by projecting white noise in space.

The fundamental parameters of the performance are: architectural elements (walls, colums, openings, …), body movements (360° rotation, presence/absence, movement speed), direction and movement of sound (direct/reflected, filtering), and the positioning of the audience (distance from the performer, positioning within a certain perimeter).

Here is the IMAGE DOCUMENTATION from a performance that i did in Bologna in 2014.