1) The performer is outside with a microphone in his hand.
2) The audience is inside and is listening to the performer from a loudspeaker that is connected to the microphone outside.
3) The performer tries to throw the microphone through the window and reach the inside where the audience is listening.
4) When the microphone enters the inside, the high gain volume (excitement) and the reduced distance (encounter) between microphone and loudspeaker produce an acoustic feedback.
5) In this way, the performer, who is metaphorically embodied in the microphone, finally meets his audience.

The workshop is open to anybody who is concerned with the possibilities of interaction between sound, space, and listening.

The main aim of the workshop is to offer, through direct practice, a wide range of listening experiences in order to lead participants to recognize sound as a concrete presence that puts the listener in relation with other bodies, materials and space.

Practicing different exercises based on sound diffusion and simple movements/gestures, the participants are invited to experience sound effects such as reflection, absorption, filter, threshold… as well as to explore the acoustic interaction between sound, architecture and the body.

White noise is the main material that is used in the workshop. The constant dynamic and frequency spectrum of white noise facilitate an immediate understanding of specific sound effects and provide a stable reference for the articulation of the listener’s position in space.

Watch a video extract from a past workshop here: https://www.youtube.com/watch?v=52_f4094wD4.

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The workshop is structured in 4 different sessions. Each session is 3 hours long. Participants are free to follow as many sessions as they want.

Session 1: 27 may 2015 from 10:00 to 13:00
Session 2: 27 may 2015 from 15:00 to 18:00
Session 3: 28 may 2015 from 10:00 to 13:00
Session 4: 28 may 2015 from 15:00 to 18:00

Address: Errant Bodies /// Kollwitzstrasse 97, 10435 Berlin
Max number of participants: 5
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WE PROVOKE THE CITY AND LISTEN TO ITS RESPONSE
EACH EXPLOSION LEADS TO A CONFLICT
EACH EXPLOSION LEADS TO AN ENCOUNTER
EACH EXPLOSION LEADS TO A DIALOGUE
SET THE FUSE ON FIRE AND GET READY FOR CONFRONTATION

1) The group walks in the city at night-time looking for places where to burst firecrackers.
2) The group moves silently, like in a sabotage action.
3) Once the firecracker is set off, the group concentrates on the impact of the bang.

A body moves in space modulating the acoustic feedback that occours between microphone and loudspeaker. According to the position occupied, the body can block or activate the feedback.

Starting from the exploration of the physical nature of sound waves (frequency and wave lenght), the performance reveals the capacity of the body to filter and alter the propagation of sound in space.

Video 1 – Rehearsals: https://vimeo.com/118521780 (password is “ciao”)
Video 2 – Live Performance: https://vimeo.com/119800367 (password is “ciao”)

Here’s a example of an alternative ways to document live gigs. I play the role of the commentator, not only discussing about the band and singing their songs but also interacting with the whole context of the live show.